Showing posts with label Houston. Show all posts
Showing posts with label Houston. Show all posts

Tuesday, February 26, 2019

Jayme vs. Kanaloa

The other week found The Wife and myself in Houston for an overnight visit. Having some time to spare in the evening, we decided to check out H-Town's newest tiki bar, Kanaloa. Despite quite a few tikiphiles in Texas, I haven't really heard much about it since its opening late last year. A month ago I tried to visit whilst passing through Houston, but after spending half an hour trying in vain to find parking, I gave up. Kanaloa's in the downtown area not far from the theatre district, which means street parking. And that fills up quickly. That's already a mark against it--who wants to escape to a tiki bar if one has to stress out over parking?

Fortunately, this night was not as super-busy as my previous, ill-fated visit. Traffic was light. We parked in a garage a block away and walked to Kanaloa without incident. The place is impossible to miss despite not having a big sign. There's a prominent thatch awning over the entrance, and lighting that shifts from garish purple to garish green. When word first came out that this space was being tikified, some of the early discussion was over the owners' decision to paint all the brick on the building's facade black. I wasn't a huge fan of this (I'm generally opposed to painting brick, period). I can kinda see what they were going for at night with the thatch and the lighting, but I remain unconvinced. Painting brick remains a bad idea in my book.

We stopped short at the threshold. The music blasting out of the bar was decidedly not tiki. It was club music. Beat pounding techno-pop alt whatever. I didn't recognize it, couldn't identify the singers or performers. Regardless, it was the most inappropriate tiki bar music we'd encountered since our visit to No Bones Beach Club back in 2017. Nothing can ruin the immersive experience of a tiki bar faster than inappropriate music. The Wife and I exchanged dubious looks. "We could go to Lei Low, but they don't have food. This place does." We were both pretty hungry. We agreed on giving Kanaloa one drink and a meal to win us over.

The first thing one sees upon entering are four enormous tiki heads lining the right-hand wall. They're huge. With their big-toothed grins, they look borderline clown tiki, but thankfully there are none of the garish colors that mark that degenerate tiki subset. The backlit eyes are illuminated, and the color changes with time. The effect is pretty cool. We sat at a table, not the bar, and looked over the menu. There were about 16 tiki cocktails listed, all classics (with the exception of "Caribbean Boilermaker" which was a shot of rum and a beer). There were no original cocktails listed. The next page had six group drinks, and here there were several original drinks, or at least riffs on existing shareables. Where the menu really stood out was with its rum list--four-and-a-half pages of rums listed. This tells me they're looking to compete more with the downtown rum bar High & Dry, which just so happens to be a block away. The Wife was not feeling particularly adventurous, so she ordered a Painkiller. It arrived in a grinning green tiki mug with a torched, smoldering cinnamon stick garnish. It may seem odd, but this is the first time I've seen a burning cinnamon stick garnish. It worked well. The presentation was nice and effective. This has got to be a fairly common garnish, but somehow I've avoided it until now. I'll steal it for future use, of course. The Wife reported the Painkiller to be a perfectly acceptable representation of its type.

I was tempted by their Three Dots and a Dash, but the music was really annoying me, and I was ready to cut our time there as short as possible. Since I was driving, I wanted to avoid their stronger drinks, which eliminated the Three Dots. Instead, I ordered a Sumatra Kula, a Don the Beachcomber original which I don't see on menus all that often. It arrived in a classic tiki mug with one of those thick, bubble tea straws. What was up with that? I dunno. The drink itself wasn't bad. The grapefruit bitterness was not overpowering but obviously there. I couldn't taste any honey, but again, the drink wasn't overpoweringly bitter, so there was sweetness in there somewhere, doing its job. This is a pretty simple drink for Don, one of those where there's no place to hide. Screwing up the recipe will be instantly noticeable. Despite my skepticism, they served me a solid cocktail.

As I mentioned earlier, we were hungry, and ordered dinner. I'd heard good things about their kitchen, which is apparently a permanent base for the Korean/Mexican food truck OhMyGogi! The Wife ordered OMG Fries (below right) and I ordered Jerk Chicken Tots (for the life of me, I've never been able to understand why tiki bars haven't embraced the deliciousness of Caribbean cuisine). The orders arrived and I have to say, they were both delicious. It amazes me how simple bar food has been upgraded to a culinary event. The portions didn't seem that large, but they filled us both up. They were flavorful and satisfying.

The back bar was an elaborate bamboo build, and looked quite impressive. Doubly so with color-changing LED lights illuminating the shelves and bottles upon them. On the other hand, the shelves were sparsely populated. The Wife and I both subscribe to the "more is more" aesthetic where tiki is concerned. A tiki bar shouldn't be neat and spare. There was a tremendous amount of wasted space behind the bar that could've been filled with more bottles, tiki mugs and other clutter. It was functional as it was, but also kinda sterile. Tiki bars should be all eye candy all the time. Every time you look, there should be something else to catch your eye that you hadn't noticed earlier. Kanaloa's bar, while nice, failed that test.

The rest of the bar was more in line with traditional tiki expectations. The ceiling decor, in particular, is a standout. Taking a page from San Diego's False Idol, Kanaloa's upper reaches are covered by dozens upon dozens of glass fishing floats. Speaking as someone who's priced these coveted items, this amounts to a significant investment on the part of the owners. That's not entirely surprising--last spring, before Kanaloa opened, Houston Eater ran a piece describing how the owners had visited tiki bars across the country for inspiration:

Doyle along with partners Roland Keller and Tyler Barrera have traveled around the country checking out tiki bars, and they’re currently hard at work sourcing tiki gear for the restaurant (think custom-made treasure chests). The hope is to open at the beginning of May within a completely transformed space featuring an outdoor patio and an event area upstairs.
The upstairs was closed. The rest of the downstairs had some nice booth seating and the required lauhala matting. There was the ubiquitous peacock chair in the back, along with a teddy bear and blow-up sex doll from the non-Valentine's Day party they'd held a few days prior. As we finished our meal, the lights flickered and a crash of thunder rolled through the place, so I give Kanaloa bonus points for incorporating theatrical flourishes that Don the Beachcomber would approve.

I went to the restroom, and when I returned I found The Wife had moved to the bar and was chatting with the bartender. They were discussing tiki, and he was waxing poetic about how good their Mai Tai was. Now, I have to confess, I'm not a huge Mai Tai fan. I can take it or leave it. But The Wife loves 'em, and judges tiki bars on the quality of their Mai Tai. We'd been planning to leave (yes, that music was still grating) but I threw caution to the wind and ordered one for her (just for her, as I was driving). The bartender pauses a moment, suddenly unsure of himself. "This isn't a fruity Mai Tai," he warned. "Mai Tais aren't supposed to be fruity," she responds, and the bartender looks visibly relieved. She takes a sip, and her eyebrows go up in a curious manner. "You have to try this," she said, offering me a sip. I tasted it, and it's not at all what I was expecting. It's recognizably a Mai Tai, sure, but there's a serious funkiness going on.

"He said he uses a flaming rum," The Wife said.

I thought a moment. "Rum Fire?"

"That's it."

I tasted it again. Wow. If Rum Fire made that much of a difference when used in a Mai Tai, I might start having to use it myself at home. I might even become a Mai Tai drinker. The stuff was good.

Before we left, we went to check out the back patio, which the bartender recommended as outstanding. I have to admit it's a nice space. It's enclosed by tall brick walls with vines growing up them, and string lights contribute a suitably dim, atmospheric illumination... but man, they haven't done anything with that space. There should be potted palms and living bamboo, maybe a water feature, and at least three or four 6' tiki carvings back there. As it is, there are a couple of vintage-style metal signs by Kerne Erickson (a personal favorite), a cobbled-together license plate that spells out "Tiki Bar" and a handful of mass-produced masks from Indonesia. That's it. That back patio space could be amazing! Instead, it's simply there.

Kanaloa is incredibly frustrating. It's got a lot going for it, but it's a case of "one step forward, two steps back." The music is just downright awful, and drove us away when we would've spent the evening there. I emailed the manager about the music once we got back home, but never received an acknowledgement. The food is great and the cocktails are solid. The cocktail menu is sadly limited, though, and lacks originality. The decor they have is great, there just isn't enough of it. The back courtyard/patio could be amazing, but they've done nothing with it. All in all, Kanaloa feels eerily similar to Pilikia, which was actually run as a nightclub-with-a-tiki-theme because the owners had heard tiki was a growing trend. That's kind of the vibe I got from Kanaloa. I don't think the owners or management actually understand tiki. It feels like Kanaloa is an attempt to cash in on tiki, because tiki is a hot trend right now. Which is dumb if true, because tiki is probably the most outrageously expensive concept bar to pull off. I think the club music is there because they want to fit in with all the other bars in the area. I suspect the more time passes, the less tiki Kanaloa will get, until it's pretty much indistinguishable from any other bar in the neighborhood, is sold and revamped as an Irish pub or German beer hall. Which is a shame, because they have the foundation for a potentially outstanding tiki bar. They just seem afraid to fully embrace it, which makes me wonder why they ventured down this path in the first place.

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Chicken Ranch Central

Thursday, February 14, 2019

Chicken Ranch redux, redux

I know what you're thinking: "Whoa, wait! Another Inside the Texas Chicken Ranch post? What's going on here?" I know, right? I've gone a long time without taking about that particular whorehouse, and now it seems like something's coming up every other week!

Today I'm heading back to Houston, where I'll be guest speaker for the Bellaire Historical Society's monthly meeting. I mean, what better way to spend Valentine's Day than learning all about the infamous Chicken Ranch? What could be more romantic? The presentation will be held in the CenterPoint Energy Community Room at 7001 5th Street in Bellaire. Doors open at 6:30 p.m. with the program beginning at 7:00.

And while I have your attention, can I take a moment to point out what a fascinating character our host, Mister McKinney is? A major history buff with a passion for the story of Houston and its environs, people with this kind of passion are few and far between. If you're of a mind to, how about giving him a "Like" on Facebook? You'll be glad you did!

If you know of a civic or business group in need of a speaker who can entertain and enthrall audiences with tales of a popular, yet widely misunderstood episode of Texas history, I am accepting bookings for the remainder of 2019!

Inside the Texas Chicken Ranch: The Definitive Account of the Best Little Whorehouse is available from both Amazon.com and BarnesAndNoble.com. It's also available as an ebook in the following formats: Kindle, Nook, Google Play, iBooks and Kobo.

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Chicken Ranch Central

Thursday, January 24, 2019

Chicken Ranch rides again!

It's been a while since I shared anything related to Inside the Texas Chicken Ranch here, but I've got a couple of upcoming events folks in the Houston area might find of interest. This Saturday, January 26, I'll be guest speaker for the Baytown Historical Preservation Association's 2019 Saturday History Lecture Series. My presentation will be held in the big red barn meeting room of the Republic of Texas Plaza, 5117 N. Main Street. Doors open at 9:30 a.m., with the program beginning at 10 p.m. I'll give an entertaining and informative audio/visual presentation filled with rare, vintage photographs and artifacts, followed by the always-popular question-and-answer session. Those are invariably a hoot. Books will be available for purchase, and I'll be happy to sign anything and everything. As a bonus, the good folks there will have the historic buildings at the Republic of Texas Plaza open for free tours afterward.

If you can't make Baytown this Saturday, you're not out of luck--the Bellaire Historical Society has booked me to give a presentation on the Chicken Ranch Thursday, February 14. Yes, that means you can learn all about the Chicken Ranch on Valentine's Day! What could be more romantic? The presentation will be held in the CenterPoint Energy Community Room at 7001 5th Street in Bellaire. Doors open at 6:30 p.m. with the program beginning at 7:00.

If you know of a civic or business group in need of a speaker who can entertain and enthrall audiences with tales of a popular, yet widely misunderstood episode of Texas history, I am accepting bookings for the remainder of 2019!

Inside the Texas Chicken Ranch: The Definitive Account of the Best Little Whorehouse is available from both Amazon.com and BarnesAndNoble.com. It's also available as an ebook in the following formats: Kindle, Nook, Google Play, iBooks and Kobo.

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Chicken Ranch Central

Monday, December 17, 2018

Jayme vs. Lei Low

For the most part, my tiki excursions have taken place far afield. Texas has never been what one would consider a hotbed of tiki action, so the biggest and most interesting places are those we've had to travel to. But in recent years, there've been a few new tiki spots open up. Alas, not all of them survive. Howie's Tiki, in Spring, was open only a few years before closing its doors last month. Despite the fact I used to regularly visit Spring in the past, I never had a chance to visit the place. Another location with good word-of-mouth is Lei Low in Houston. When I found myself in Houston for a lecture a couple of months back, I made sure to block some time into my schedule for a visit.

People who've been to Lei Low will tell you it is easy to miss, that it's in a strip mall and doesn't look like much from the outside. They understate things, if anything. The "strip mall" hardly qualifies, it's that tiny. The North Houston area, just inside the 410 loop, doesn't look like one that supports any type of socially-oriented business. I was looking for Lei Low and missed it completely on first pass. The sign at the edge of the parking lot (right) doesn't grab your attention. The parking lot's small. Even after parking and seeing the neon "Rum" sign above the door, and "Aloha" mural painted on the wall, my natural inclination was to wonder if I'd found the right place.

It was! It was the right place! I stepped through the door and immediately entered that sensory-immersion all good tiki bars exude. The lighting was appropriately dim. The thatched A-frame behind the bar was a nice touch. The walls were covered by bamboo and matting and cluttered--if neat--decor. Float lamps and netting hung from the ceiling. A rattan peacock chair surrounded by carved tikis and plant life awaited just inside the door. There were several groups of people inside engaging in friendly conversation and cocktails. It immediately felt like a tiki bar.

Okay, so the decor passed the smell test, what of the cocktails? I took a seat in the middle of the bar, and Caitlin immediately told me that since I was wearing a Hawaiian shirt, I automatically got Happy Hour prices (which I knew in advance, but it's nice that she went out of her way to point this out). I looked over the menu, and immediately went to their original cocktails. I'm not the biggest mai tai fan, so judging tiki bars on their mai tai is The Wife's responsibility. I wanted something that I couldn't get anywhere else, and their Pride of Barbados caught my eye. Described as a mix of passion fruit, poppy and amber rum that's force carbonated, it sounded like a bright, refreshing drink (I'd been on the road for hours, and pretty wiped out by this point). I'm a lover of all things passion fruit, and have to say this one hit the spot. Crisp, slightly tart, with a carbonation that wasn't overpowering. I liked it quite a bit.

After following my first cocktail with a glass of water, Caitlin figured out pretty quickly I was one of those tiki people, so she didn't have to explain things to me. We talked about the mai tai test, and how the Lei Low has a Hawaiian mai tai on the menu instead of the 1944 Trader Vic original. Caitlin said when I came back with The Wife we should order her off-menu mai tai, which is based on the 1944 original and "way better" than the pineapple-centric Hawaiian version. After discussing how my tastes tend toward complex and spicy cocktails, I ordered the Creole Swizzle. Caitlin said she's been about to suggest it for me. The cocktail, described as mix of rhum agricole, mint, lime and pamplemousse liqueur, was indeed a good choice. Not in Three Dots and a Dash spicy category, it was more in line with a ti punch, although there was a good bit more going on, flavor-wise. Another winner.

Because it was late and I was tired after a long drive, I'd intended to only try two cocktails. But the conversation was so entertaining and the atmosphere engaging that I broke down and decided to have a third. It was hard to make up my mind with 13 original recipes to choose from, but Voodoo Shark caught my eye. Caitlin warned me that it had a slight touch of Absinthe in it (my dislike of licorice/anise having come up during conversation) but after a moment of consideration, I decided to brave my aversion and try the drink anyway. Served in a shark mug, this was one of those where a single-serve bottle of rum is inserted in the drink, kind of like a reverse float. Described as rum, Louisiana satsuma rum, mango, spice and lime, I have to say the cocktail wasn't bad to start with. It was fruity and spicy in good ways, with the Absinthe buried under all the other flavors so as not to bother me. What I should've done is take the bottle of Louisiana satsuma rum and mix it all together with the rest of the cocktail. I didn't. I'd consumed more than half of the drink before realizing the mini bottle was still mostly full. So I mixed it at that point, but the result was harsh and unbalanced. It felt like my final few sips were pure rum, and this was not what I'd describe as a sipping rum. Live and learn. I suppose I could chalk it up to user error, but Voodoo Shark was my least favorite cocktail of the night and not one I'm inclined to order again.

The back corner, with a booth, stone wall and dark bamboo was the most classically-retro tiki spot in the place. The black velvet paintings were perfect mood-setters. This is where I felt most transported back to tiki's 1950s heyday.

Music wasn't as much of a high point. They had a DJ when I visited, and while I heard a handful of Martin Denny/Arthur Lyman tracks early on, the vast majority of music was of 80s pop/rock variety. I grew up with that sound, so I didn't dislike it, but as I've commented elsewhere, it's not a good sound for setting an escapist, tropical mood. It was not as bad as the Alibi playing 70s guitar rock, but that's setting the bar pretty low.

Sadly, they did not have any souvenir tiki mugs for me to buy. Because of space limitations--no storage to speak of--they only produce limited edition mugs for their anniversary parties. I can understand that, but as someone who likes to collect mugs from the tiki bars I've visited, it's still disappointing. Caitlin must've sympathized with that disappointment, because she gave me a bunch of custom swizzles instead. "I know people trade these, so you should be able to get some cool ones," she explained. All in all, Lei Low was a positive experience. The atmosphere was good, even if the music was not idea. The drinks were mostly excellent and the bar staff--mainly Caitlin--made me feel like a regular. The worst thing I can say about it was that the walls and decor were just a bit too neat and tidy, but the aura of a decades-old tiki bar doesn't happen overnight. They've still got time to accomplish this. I'll definitely be returning the next time I'm in Houston to work my way further through their menu of originals.

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Chicken Ranch Central

Tuesday, November 22, 2016

Who's tired of hearing about the Chicken Ranch?

I'm sure some folks are tired of hearing about the Chicken Ranch, but not too many of them are voicing that concern to me. Take last week, for instance. On Thursday, I found myself in San Antonio speaking at the Stone Oak Rotary Club. What a great bunch of people they were! Dean Bentle had caught my presentation last month at the Woman's Club of San Antonio and was, I suppose, entertained enough to invite me over to regale his Rotarians. They made for an engaged, interested audience and once all was said and done, presented me with the nice certificate there to the right, along with a Rotary emblem made entirely out of chocolate! Do they know how to treat a guy right, or what?

When I wasn't speaking to the Rotarians, it seems I was speaking with Joe Holley at the Houston Chronicle, putting him in touch with various sources for his November 19 column "Will Fayette County ever outlive its Chicken Ranch history?" The short answer: No.

Some people are reporting trouble with the link, so here's my key quote from the write-up:

"I'd say 45 percent of the population think it's part of Texas history, and they should exploit it," [Blaschke] said from his office at Texas State University, where he's director of media relations. "Another 45 percent don't give it any never mind. And maybe 10 percent of the population just about spews blood out of their eyeballs if you even mention it."
The article goes on to quote County Judge Ed Janecka as opposing any public acknowledgement of the Chicken Ranch, any marketing of it as a tourist attraction. Instead, he wants tourists to come to town for the Texas Quilt Museum, Monument Hill and the Krische Brewery State Historic Site. Here's the thing: Although those are all worthy things in and of themselves, a quick Google search turns up dozens of quilt museums across the country. The National Quilt Museum is in Paducah, Kentucky. There are others in Colorado, Nebraska, Virginia, New England... How many of those has Judge Janecka personally visited? That's the thing--very few people are going to visit La Grange specifically for the attractions he and his supporters believe tourists should visit for, rather than the one famous attraction they do visit for. Even though it is long gone, the Chicken Ranch is never going away. Instead of fighting it, that 10 percent should use it as an enticement to tourists. Give them a map to a Historical Marker to look at and make them happy. That's maybe 15 minutes out of the tourist's visit, but what next? Include on that map information about Monument Hill and the Quilt Museum, plus Rohan Meadery and Rosemary's Vinyard. There's excellent dining options in La Grange, plus Weikel's Bakery serves up some pretty darn good kolaches. See where I'm going with this? Instead of complaining for 40-plus years that visitors only come to town to see the Chicken Ranch, use the Chicken Ranch to leverage their interest in all the other great things the town has to offer. It's a piece of history La Grange owns that no other city can touch, and the sooner they get over their faux-shame, the better off everyone will be. Heck, Dallas converted the Texas School Book Depository to a museum a very long time ago, and I guarantee that episode of history cast a far darker shadow over the city than the Chicken Ranch could ever match.

Enough of that soap boxing--I've got more interesting things coming up. In addition to the Houston Chronicle article, I've got another feature scheduled (I am told) to appear in the upcoming issue of Waco Today, due to be published by the Waco Tribune Herald November 23. This just happens to coincide with my book signing at the Waco Barnes and Noble 2-4 p.m. Saturday, November 26. There were some pretty strong ties between Waco and the Chicken Ranch, starting with the fact that the madam Jessie Williams, otherwise known as Fay Stewart, was born and raised in Waco. It should prove to be an entertaining afternoon, and I'm looking forward to having a good turnout. See you there!

Inside the Texas Chicken Ranch: The Definitive Account of the Best Little Whorehouse is now available from both Amazon.com and BarnesAndNoble.com. It's also available as an ebook in the following formats: Kindle, Nook, Google Play, iBooks and Kobo.

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