Armadillocon has come and gone for another year. The 2015 edition was a very good one, indeed. Attendance seemed significantly up from last year, panels were well-attended and an energy permeated the con that had been absent in recent years. Most everyone I talked with seemed to feel the same. The guest lineup--GoH Ken Liu, Special GoH James Morrow, Editor GoH L. Timmel Duchamp, Fan GoH John DeNardo, Toastmaster Stina Leicht and Artist GoH Rocky Kelley--was very active and accessible, interacting with attendees and panelists all weekend. There was an impressive number of new panelists as well, the concom going out of their way to seek out and invite regional pros who haven't attended before. That injected a good amount of new blood to the regular panelists, and the panels themselves were stimulating and thought-provoking. Again, it was clear the concom didn't just recycle the programming items from past conventions, coming up with new topics, or clever variations on older topics, instead. My panels were well-attended and boasted some very intelligent people who all had insightful commentary. For "Researching Your Book," I brought along a huge stack of Venus science books I'm using as reference for Sailing Venus just to scare people a little bit. J. Kathleen Cheney, Jaime Lee Moyer, Cary Osborne, Lee Thomas and Ernie Wood kept things lively and as you might suspect, each writer had different approaches to the question of how much research is necessary. I was then drafted to sit in on the "New Twists in Urban Fantasy" panel, as some of the panelists hadn't made it to the con that Friday. I kind of prattled on about the overlap between urban fantasy and contemporary fantasy, and how they're not necessarily the same. As I hadn't written any urban fantasy in quite a few years, I didn't have much to offer, but thankfully John Moore, Carrie Clevenger and Mari Mancusi knew their stuff. A lot of discussion was devoted to how publishers are declaring certain sub-genres like urban fantasy, dystopia, etc. "dead" and refuse to consider new work in these areas, but such work is still being published under different branding by an array of publishers, and quality work will always make it into print regardless of publishing trends. On Saturday, my fellow panelists for "The Hobbit Movies" were Lillian Stewart Carl, Aaron de Orive, Paige Ewing, Shanna Swendson and Troyce Wilson, and while everyone agreed Peter Jackson had gone off the deep end with silly video game computer effects that went on far, far, far too long in the films, we disagreed a surprising amount on what the worst transgressions were and which additions actually improved the story. That doesn't change the fact that Jackson would've been better off sticking to his original plan for two films rather than three. "Writing a Strong Teen Protagonist" was the first of two panels I moderated, and Peni Griffin, P. J. Hoover, Jake Kerr, Mari Mancusi and Trakena Prevost all had far more experience writing YA than I, which made my moderating job so much easier. And interesting discussion of the differences between YA and Middle Readers ensued, along with some thoughts on the emerging "New Adult" category. Writing teens is hard, simply because teenagers are still figuring out who they are at that age, and their moods are inherently volatile. Writing teens as small adults is a no-go, and writing parents as incompetent boobs is just as bad a cliche. The absent parent--either through death, divorce or indifference--is another recurring trope that's difficult to stomach, but sometimes unavoidable as so many YA books are coming of age stories where the teens acquire their own agency, so to speak. My other panel to moderate, "Speculative Fiction as a Mirror to Religion," went by fast. I mean fast. We started out and the next time I checked my watch, we'd run five minutes long and could've continued another two hours at least. James Morrow was the 800 pound gorilla on the panel, for obvious reasons, and he was wonderfully challenging in the best way possible. But he didn't hog the panel. On the contrary, Matt Cardin, Katharine Kimbriel, Ari Marmell and Shanna Swendson all jumped in with enthusiastic, thoughtful comments, having particular fun with the influence that the superstitious King James had on the translation of his eponymous version of the Bible. I used my story, "The Makeover Men," as an example of a exploration of misogyny that could not exist without both science fiction and religious fanaticism, but the story is currently not available online, unfortunately. This panel was probably the highlight of the con for me. So many ideas were flying back and forth that I cannot even begin to remember them all. Other highlights include the Space Squid 10th anniversary shindig/flash fiction contest, Stina Leicht hitting no. 6 on the BookPeople best seller list, engrossing conversations with Don Webb, Sean Patrick Kelly, Joe Lansdale, Rhonda Eudaly, Bill Crider, Lawrence Person, Scott Cupp, Lillian and Paul Carl, lunch with Lou Antonelli, moving tables with John Picacio and drinking some of the magnificent Fin du Monde (a Belgian triple) at the Montreal Worldcon bid party. Oh, and I discussed with Chris Brown the possibility of reviving a misbegotten collaboration we threatened to write way back when, so feel free to be afraid. Good stuff all around, and I can't wait until next year. Feel free to share the photos below, just be sure to include credit.
Chicken Ranch Central